The Graviators - Motherload

Sweden is clearly leading the world in producing great doom/stoner metal bands these days. And just look at this bad-ass album cover!Swedish rockers, The Graviators have released their third full length album, Motherload, and if you dig that analog trip but like a little shred thrown in for good measure, this is very likely your new jam. Goodness knows there's no shortage of retro bands around - a new one seems to crop up every week - but the sweet spot for me is when you take an old school 70s vibe and update it with a modern sensibility in terms of the guitar work and rhythm structure. This is why I'm a big fan of progressive stoner metal, where all of my favorite ingredients come together for a delicious sonic dish.

While The Graviators may not be progressive necessarily (though they do make use of some progressive elements), they do get that being analog doesn't mean you have to sacrifice complexity for authenticity; it's a vibe, not a law set in stone, right? And tracks like Corpauthority illustrate that idea well, with its Sabbathy main riff, multi-layered rhythmic passages, and guitarist Martin Fairbanks' killer solo adding some nice color in the form of restrained neo-classical sweep picking nestled amongst the bluesy flurries. Great stuff.

The Bottom Line: Like their kinsmen Witchcraft, The Graviators are riding the wave of doom/stoner metal on the back of a sea dragon, laying waste to all in their path with the swipe of a Gibson SG. If you like your old school metal with a modern sense of the past, check these dudes out.

Tracks To Make You Replace All Of Your Lightbulbs With Black Lights: Narrow Minded Bastards, Tigress Of Sibiria, and Corpauthority

- Genghis digs the doom/stoner metal thing just fine, but let's hope it's tapering off...

Hammercult - Steelcrusher

Now this is a cover. You can only assume Taarna is on the back flying into the fray on her weird battle bird.You don't often hear about metal bands from Israel. But newcomers Hammercult have a certain something that can't be denied. Having won the Wacken Open Air event a couple of years ago - only a year or so after even forming the band, they've been building their army of fans ever since by doing nothing less than playing balls-to-the-wall metal everywhere they go. And now they've released their long-awaited follow up to their debut, Anthems of the Damned. Let's get the skinny.

Steelcrusher starts out right, with artwork by the infamous Andreas Marschall, who's done work for In Flames, Hammerfall and Blind Guardian. The image says it all; some guy dressed kind of like the Barbarian Leader from Heavy Metal and brandishing a giant, blood-stained hammer gives the finger to a formidable looking monster chick on a dragon who must be really hard to shop for at Christmas.

But the proof is in the pudding, and Hammercult makes a mean pudding, man. After the obligatory introductory theme, the boys kick into the title track that sounds like nothing less than a blitzkrieg of thrashy goodness with a nice anthemic feel to its spacious mix. And shit don't let up from there, from the kick ass moshing riot of Metal Rules Tonight to the final track In The Name of the Fallen you will be at risk of headbanging your teeth right out of your head. These guys are the real deal.

The Bottom Line: Yes, Virginia, there are still bands that come to rock the fuck out of a joint. And this band's name is Hammercult. If you're in the mood for drinking, headbanging and generally tearing some shit up, this band's got your number, mate.

Tracks To Play If You Hate Your Neighbors: Burning The Road, Into Hell, Heading For War

- Genghis wonders if this album comes with a loincloth...

Nervosa - Victim of Yourself

Everything about this album is classic thrash metal. I mean look at this album cover. Fucking awesome it is.Everybody knows that South America is a hotbed of metal mania. So, it should come as little surprise to anyone that a trio of Brazilian youths who grew up listening to heavy music should form their own metal band. And so Nervosa was born, culminating in their anticipated debut album, Victim Of Yourself.

Honestly, this is one really great thrash album in the truest sense of the genre; it's raw as hell, has powerful riffs, classic death metal-style snarling vocals, and an energy that can't be manufactured in a mixing board. Everyone is firing on all cylinders, and there's an authenticity that comes out in every track that affirms this as a band of like-minded musicians that just wants to destroy you with its music. There's a clear influence of the early works of Slayer and Metallica, and I would love to see this band perform live - assuming, of course, I survive the experience.

The Bottom Line: This is simply one of the most honest and raw classic thrash metal albums I've heard in a long time. Nervosa is yet another great band that proves Brazil is a growing and powerful force in the realm of heavy metal. Bom trabalho!

Tracks That Will Make You Dig Out Your Old Denim Jacket: Twisted Values, Envious, Into Mosh Pit, and Deep Misery

- Genghis has a new crush (Por favor, me chame, Fernanda!)...

Riotgod - Driven Rise

Now this is an appropriately trippy album cover for a retro-style band. Everything's so greeeen!Drummer Bob Pantella (Monster Magnet) decided that he wanted another outlet, giving rise to the formation of Riotgod back in 2007. And with the band's third release, Driven Rise, you can see where his passion and vision have carried him.

Recorded at Bob's New Jersey studio, there's a great live feel to the whole thing. I really like that this is one of the few retro-style bands that isn't afraid to embrace modern technology when it comes to their sound. Most bands of this ilk are card carrying members of the Cult of the Analog, and it's starting to make the music sound too cookie cutter and, ironically, processed. And while I call it retro, don't necessarily assume that means a straight 70s sound. This is really more of a classic 90s grunge sound, itself a progression of the 70s sound but with a modern, heavier sensibility. There's also more of a positive feel to the music rather than the post-modern, nihilism that pervades most such music. Part of what stands out is the voice of lead singer, Sunshine, whose throaty, controlled wails remind me of Freddie Mercury. Now this is a great way to do retro.

The Bottom Line: Imagine yourself at a mixing board, hands poised over the sliders as Soundgarden jams in the booth. Turn up the Led Zeppelin 25%, then ease up the psychedelic Beatles about 15%, fade out Cornell while raising up Freddie Mercury. There, now you have Riotgod.

Tracks To Make You Stand Around All Supersexy Like A Young Robert Plant: Driven Rise, They Don't Know, and Sidewinder

- Genghis could never have gone shirtless on his best day...

Helen Money - Arriving Angels

Helen Money is mad. Mad call I it, for to define true madness, what is't but to be nothing else but mad?Mad cellist Helen Money (AKA Alison Chesley) is one of the few crossover musicians that, like the lads of Apocalyptica, dare to transgress the boundaries of classical and heavy music. Her collaborations, including gigs with the likes of Disturbed and Anthrax, are not the typical thing you'd expect from a female musician with a masters degree in cello performance. Which brings us to her third solo album, Arriving Angels, now being re-issued in a limited vinyl edition.

Money's approach to composition is spartan, making the notes that do get played all the more prominent against the space surrounding them. And thanks to the copious amounts of signal processing (you ought to see the pedal boards laid out around her feet onstage), her tone has the variability of any guitarist, expanding the timbre of the instrument handily to fill the space left by the absence of a traditional backing band.

Now, for the most part this is your basic minimalist stuff - Money being joined only by Neurosis drummer/percussionist Jason Roeder on all tracks - with an unpredictability (including Bernard Herrmann-esque Psycho attack interludes) that makes the whole album seem completely spontaneous. If you favor traditional music at all, you may have a hard time getting into this stuff. But if you're the more open-minded type that likes to veer off the beaten path musically, this may be your new jam. Personally, I have a hard time connecting to this, but I salute Chesley's bold musical presence.

The Bottom Line: Every now and then someone comes along to remind us jaded rock fans that ours is the music of rebellion and the pushing of envelopes, great and small. Alison Chesley's Helen Money persona, armed with her processed cello, marches forward in the avant-garde field of "ambient doom", leading her followers like a deranged pied piper to the precipice of tradition - and leaning out over it menacingly.

- Genghis is actually looking to learn to play the cello...