East Of The Wall - Redaction Artifacts

Prog stoner metal dudes East Of The Wall are back with another great headphone album. Get it!You might recall my review of East Of The Wall's (EOTW) preceding effort, The Apologist. That was my first run in with the band and I thoroughly enjoyed their sound, which comes off like a heavier, "less ethnic" version of The Mars Volta - one of my favorite bands in the subgenre of what I call progressive stoner rock. EOTW's sound continues in that vein, though they've added to the vocal layer a bit, expanding their sonic footprint in yet another interesting way.

And luckily, there's more of the same great guitar-based meandering on their new album, Redaction Artifacts, but that's not to say they're retreading old ground - any more than say, Pink Floyd. Still present are the bassy grooves, beautifully restrained percussion, emo scream-vocals, and the great melodic guitar work that holds it all together into what amounts to a musical experience rather than just another album. Seriously, this is great headphone music for those cooler autumn evenings when you find yourself home alone and want to get your mind right, you dig?

The Bottom Line: If you like intelligent grooves but don't need the sharp complexity of Symphony X or even the clever thickness of Mastodon, take a trip on the psychedelic soundscape of East Of The Wall's latest. You do own a good pair of cans, right?

Tracks To Enjoy With A Pair of Marshall Headphones: Solving the Correspondence Problem, The Fractal Canopy, and The Methuselah Tree

- Genghis really could stand to get his mind right like soon...

Ghoul - Intermediate Level Hard-Core

These guys. Silly? Of course. But, if you're looking for goofy fun wrapped in sweaty layers of hardcore, these lads should float your boat.There will always be a place for bands like California's Ghoul. After all, rock and roll is essentially about rebellion and a big finger to The...well, whatever particular "Man" you choose, isn't it? That's the tradition the masked nutcases known as Ghoul proudly carry on playing what they characterize as "splatter thrash".

Their new EP, Intermediate Level Hard-Core, is really just a cover collection of 80s and 90s era tunes from similarly minded non-conformist bands such as GWAR and Fearless Iranians From Hell - with the former representin' by way of an Orderus Urungus cameo in their video for Americanized.

The Bottom Line: This is fairly basic thrash/punk/hardcore type stuff that ideally works well in a live situation much like GWAR's material, but that's not to say Ghoul can't rock a joint, as these well done covers demonstrate. For hardcore hijinks, Ghoul's got your number. Maybe you'll run into them if you're ever in Creepsylvania...

- Genghis has yet to see the legendary GWAR live...

Toxic Holocaust - Chemistry of Consciousness

Now THAT'S a fucking metal album cover. Lace up your Vans, grab your board, and CRANK THIS SHIT UP!I have my own opinion of the whole "punk metal" genre. My take: it's metal. Technically, music experts would most likely excoriate me for my unsophisticated knowledge of heavy music, but that's where I stand. Case in point, Oregonian maniacs Toxic Holocaust's opening track to their latest musical screed Chemistry of Consciousness, Awaken the Serpent, sounds like classic metal in the vein of Motörhead's Ace of Spades. And I would never call The 'Head a punk band.

That aside, Toxic Holocaust has put together another delightfully brutal soundtrack to our modern world, replete with officious pricks, and serves as a fine follow up to their previous effort, Conjure and Command. Founder Joel Grind continues to singlehandedly (he performs all of the instruments) make some of the best classic thrash metal music today like it's as easy as breathing, and I couldn't be more satisfied with this.

The Bottom Line: The usual topics are here, post-apocalyptic imagery and gritty reservation in a world permeated with self-serving politicians and businessmen all looking to make a buck off of the less fortunate or informed. But the real strength here is the breakneck speed riffage and machine gun blast beats that make for some kick ass beer-fueled catharsis.

Tracks To Make You Wanna Dig Your Old Skateboard Out Of The Closet: The whole damn thing!

- Genghis really wishes he had learned to skate back in the day...

Podcast #162: Mood

One of our favorite bunch of guys, Harem Scarem make some great music and we got 'em!What is the best way to come out of retirement? Like great athletes, musicians may prefer to get out of the game when they're on top, while some like to take a break to explore other opportunities and come back fresh to rock our collective asses off. In the case of Harem Scarem they got back together for Mood Swings' big birthday. To celebrate this glorious occasion, the band re-grouped to re-record their classic disc in its entirety. Join the lads in their latest An Evening With... series as they welcome Harry Hess and Pete Lesperance who both weigh in on their new recording and give their thoughts on the future of the band as well as some of the other things they're up to.

Featured Tracks: Harem Scarem - Saviors Never Cry, Hope, Stranger Than Love, Just Like I Planned, Anarchy, Brighter Day, Killing Me, Warming a Frozen Rose, Jealousy, Had Enough, and Mandy

- Ragman can't tell which version is better...(They both rock!)

Podcast #162: Mood

Shining - One One One

For a land known mostly for the blackest of metal, this is some surprisingly different and interesting music.Every now and then you run across a band that's doing things just left of center without going so far off they end up on the precipice of individuality teetering over self-indulgence. The Norweigian musicians collectively known as Shining started in 1999 as an acoustic jazz quartet, slowly incorporating heavier elements into their sound, leaving us with their 6th (and heaviest) effort, One One One.

Interestingly, there's less of a jazz feel than an industrial metal vibe going on here, save for the occasional saxophone outburst from founder Jørgen Munkeby. Tracks like The One Inside and Off the Hook in particular remind me of 90s era Ministry or Rammstein with their screaming vocals and cyber-Wagnerian rhythms that sound like a factory building dancing, killer robots 24/7. The band has coined their own term for it: Blackjazz - which was the name of their previous album, and shows up on the track Blackjazz Rebels. I have to say, this is pretty good music despite the fact that I'm really not an industrial guy. Nice work, lads.

The Bottom Line: Fans of a less rockabilly Rob Zombie or a jazzier Nine Inch Nails of old will probably find a lot to like in this heavy, energetic album that's different enough to be interesting but genuine enough to not bore you after a couple of songs.

Tracks You Do Not Want On Your Hangover Soundtrack: The One Inside, Off the Hook and Paint The Sky Black

- Genghis was skeptical about that saxophone at first...