Podcast #200: Flashback

If only we could've heard those words from the man himself. Alas, we must celebrate without him.After starting with our first podcast on September 4, 2006 (Labor Day), we've finally reached our 200th episode of The Genghis & Ragman Show here at The Right To Rock. Recorded live on the patio at The Hay Merchant in Houston, Texas, the lads enjoy a few wonderful beers - inlcuding the unofficial beer of the show, the Black Maria IPA from To Øl brewery - eat some wings, and reminisce about the highs and lows of two mamalukes making a heavy metal podcast [with no experience at all].

Genghis & Ragman can't thank the fans (both of them, right?) enough for all of their support - and patience - over the last nine years/200 hundred episodes. We won't make any promises we can't keep, but we do hope to see at least another 200 episodes and have no plans at all of quitting this silly hobby we call The Genghis & Ragman Show. So kick back, open a good beer, light up a stogie (or whatever), and listen to the boys wax nostalgic.

NOTE: A quick shout out to our server Tahir (hope we spelled that right) who was absolutely outstanding. If you visit The Hay Merchant on Westheimer, consider yourself lucky if you get one of his tables because he. is. the. man.

Featured Tracks: Grave Digger - We Wanna Rock You; Van Halen - Drop Dead Legs; David Lee Roth - Yankee Rose; The Winery Dogs - The Bridge; Richie Kotzen - Chype Fluxx; Quiet Riot - Stay With Me Tonight and South Of Heaven; SteveN'Seagulls - Cemetery Gates; Goaded - Broken Man; The Answer - Trouble; Hanoi Rocks - Up Around The Bend; Earth - From The Zodiacal Light

- Genghis still enjoys making this stuff after 200 episodes...

Podcast #200: Flashback

Niche - Heading East

A fantastic take on the 70s retro sound - complete with gorgeous, trippy cover art - Georgia's Niche is killing it.Dig if you will a picture of a Georgia-based quintet whose 70s style rock has elements of Thin Lizzy, The Allman Brothers Band, Pink Floyd and even Steely Dan - the product of which exudes the soothing, melodic energy of the time in its twin guitar and three-part vocal harmonies. That's what you get on Niche's third studio album, Heading East. I hadn't heard of these cats before, but I am definitely picking up what they're putting down, cuz this album is great stuff.

Opener Exiled To Islands starts out with a Blue Sky sort of optimism that carries into When I'm Gone, whose turn halfway into the track takes you on a sweet psychedelic jam that must play marvelously live. On Down The Line has a nice bouncy reggae feel, that adds dimension to a keyboard-backed chorus that sounds like it came out of a gospel revival tent. If you're getting the feeling that there's a lot going on with this band/album, you wouldn't be wrong, but don't be mislead into thinking it's disjointed, as the strength of this band seems to be its ability to mix so many seemingly disparate elements into a highly listenable mix I was honestly amazed by. Niche is going on my live band watchlist, I can tell you that.

The Bottom Line: There's few things more musically amazing and enjoyable in this day and age than a band that blends so many different styles and sounds into a single, cohesive presentation that doesn't merely withstand that diversity, but becomes a new measure of expectation. Bravo, guys, bravo.

- Genghis is gonna go camp out for tix right now...

Suhy, Silvergold & Alvarado - Tessellations

The trio of Suhy, Silvergold & Alvarado should satisfy your jazz-rock jones quite nicely.New Jersey based jazz rock power trio Suhy, Silvergold & Alvarado have released an amazing album of eclectic tunes that speak to my instrumentalist heart. Yes, this is ostensibly a metal site, but interestingly guitarist Ray Suhy has been playing rock and metal for years, including playing with East Of The Wall (I've mentioned before how this band seems to be some sort of musical nexus, with the various members of having seeded other bands I've raved about on this site) for a few. The man has chops. His playing is deft and confident, belying the years spent studying the finesse and creativity of masters like Coltrane. He can comp like a champ - Special Cadence is a wonderful seven minute jazz excursion that had me practically smelling the smoke-filled club it evokes - then turn around and rip like a demon - Temporal Landrons recalls the melodic shred of Shawn Lane without letting homage veer into soulless mimicry.

Rolando Alvarado's bass work is masterful, be it the satisfying timbre of plucking the double bass through jazzy tunes like Special Cadence, or the nimble rhythymic understructure he weaves like a spider on tracks like Malachite Dream. The East of the Wall connection here is his avant-metal trio El Drugstore, which featured guitarist Kevin Conway and drummer Seth Rheam, both of the former.

Which brings us to the most amazing member of all, drummer Alex Silvergold, who after only playing drums for the last 7 years is merely [a jaw-dropping] 16 years old. Be it his youth, his extraordinary dedication - or both, his high-energy playing is most impressive. I don't doubt many will be monitoring his career which probably won't even begin slowing down 'til maybe around 2065 (Crimeny!).

The Bottom Line: This New Jersey-based jazz-rock trio is jam-packed with talent and promise. The creative force of its virtuosi is evident on a debut many would hope to achieve just once in their entire careers. This is the real deal, folks.

- Genghis can't stop watching these guys jam on YouTube...

Podcast Interview: Hank Shermann

One of the founding fathers of black metal, Hank Shermann stops by for a chin wag.The boys are a bit starstruck as they chat it up with none other than guitarist Hank Shermann about his new project with fellow ex-Mercyful Fate guitarist Michael Denner. Listen in as the man with the metal plan waxes philosophic about the metal industry and where he sees his place in it.

Be sure to show the love if you're a fan of their music by buying Denner/Shermann's EP, Satan's Tomb, which is now available from motherfuckin' Metal Blade Records. HORNS UP!

Featured Tracks: Mercyful Fate - Desecration of Souls; Denner/Sherman - Seven Skulls and War Witch

Hank Shermann Interview

VLY - I/(Time)

If the idea of a post-rock Transatlantic scratches your itch, VLY may just be the band for you.One of the best things about music is the fact that, being art, the rules aren't set in stone. Traditionally, people would meet each other through mutual friends, love of a certain location (e.g. music club or store) or what have you, and after getting to know one another decide to collaborate to make music.

But British-based guitarist Karl Demata began writing with New York singer/artist Keith Gladysz after a mutual friend hooked them up, sending files back and forth across the pond without the two ever having met. This led to keyboardist Elisa Montaldo giving things her 70s Italian style progressive stamp, which led to bassist Chris Heilmann, whose classic rock attitude drove the project foward into the hands of Swedish drummer Mattias Olsson who even added the odd analog noise. After a little polish, the result was the [oddly-named] debut of the band known as VLY, I/(Time).

The result is a pretty righteous combination of classic and progressive rock, with the satisfying melodic sensibility of pop (often contrasted against post-rock guitar's wall of soundtm) and accented with the soothing ambience of electronic music. It's one of those conceptual music styles that makes the most sense when you hear it. And you really should. Tracks like Headache have a wonderful Spock's Beard or Transatlantic feel to them - largely suggested by Keith's vocals - that I thoroughly dig. All in all, this is a great album that deserves a listen by all prog lovers.

The Bottom Line: Progressive rock lovers should take to this well, especially if you like a European flavor with a modern sensibility in your jams.

- Genghis is a sucker for good, mellow prog like this...