Podcast Interview: Hendrik Wippermann

Join us as Herr Wippermann takes the mic for a little tête-à-tête about his band Eat The Gun.The boys sit down for a chat with Hendrik Wippermann, lead singer/guitarist of Germany's Eat The Gun, who discusses the band's rise to popularity through the sheer power of touring like madmen. Join Genghis & Ragman as they get to know more about this impressive trio and the vagaries of making it in the music biz in the 21st century.

And be sure to check out Eat The Gun's latest release, Howlinwood, available from Steamhammer/SPV Records. And keep an ear out as Hendrik reveals ETG's any plans for a tour of the United States in a city near you. HORNS UP!

Featured Tracks: At the End of the Day, Howlinwood, Falling, Electric Life, How Does it Feel and Addiction

Hendrik Wippermann Interview

Podcast Interview: Marty Friedman

The man with the hand, Marty Friedman drops by to chat with G&R about his latest album, Inferno.The lads sit down for a quick chat with the one and only Marty Friedman who's played with many great acts throughout his illustrious career including Cacophony, Megadeth, and Tourniquet - not to mention his own solo material. Since his move to Japan, he's become quite enamored of the culture, particularly the music scene where he's become quite the celebrity (the "Ryan Seacrest of Japan", as some have said). but let's let Marty do the talking.

Be sure to check out Marty's latest solo album, Inferno, available from Prosthetic Records. And keep a lookout for his ongoing tour. HORNS UP!

Featured Tracks: Paradise Express, Steroidhead

Marty Friedman Interview

Vanden Plas - Chronicles Of The Immortals: Netherworld II

Those mad German geniuses are back with the conclusion of the tale of Andrej Delãnymay. Behold!If you read my review of Vanden Plas' Chronicles of the Immortals - Netherworld [Path One], then you may likely know all about their anticipated follow-up, Chronicles Of The Immortals: Netherworld II. But first, bear with me while I mention right off the bat that this is a classic example of one of the problems with long titles: no consistency in syntax. Meh. Whatever, right?

Suffice it to say that this latest release is the second half of the band's collaboration with successful homeland author Wolfgang Hohlbein, based on his vampire series Die Chronik der Unsterblichen (The Chronicle of the Immortals). And that if youheard and liked the band's progrmetal sound from previous works (specifically the preceding album in this saga) you'll like this. With the story of the immortal Andrej Delãnymay continuing as he makes his way through the Netherworld to save others as well as himself, there may be more contemplative moments as the story arcs, but its still classic VP all the way. Singer Andy Kuntz worked with Hohlbein nad his manager to flesh out the story and it's perhaps that level of devotion to the source material that helped the bad connect to it as well as they did. And given their progmetal pedigree, I would even propose that this album could stand on its own, though it's obviously meant to be a part of a larger work. There's just some fantastic atmospheric music on this disc, providing that characteristic sense of dynamics, that makes the subgenre so much more interesting than standard metal with its themes of getting laid and starting fights, and that fits the darker, more philisophic nature of the story's themes.

The Bottom Line: Fans of either Vanden Plas or Wolfgang Hohlbein will likely enjoy this two-part saga, if only to have a modern progmetal opera (there aren't many is what I'm saying) amongst their music collection.

- Genghis might have to find that graphic novel...

Metal Allegiance (self-titled)

Metal dudes unite! Oh, I guess they did. Well, here's hoping that this becomes a regular thing.Since 2011, multiple and diverse metal artists have bandied the idea about to jam and record together. The result of this union (we won't call it a supergroup) is captured in 2015 on Metal Allegiance's self-titled album. Let's give it the once over, eh?

The main band is essentially Alex Skolnick (Testament) on guitar, Mike Portnoy (The Winery Dogs) on drums, and David Ellefson (Megadeth) on bass, with various guest shots throughout the disc. Highlights include some sweet, tasteful soloing by Skolnick on Let Darkness Fall, including both electric and acoustic shredding that sounds like it's from a lost spaghetti western soundtrack. I can't help but love Can't Kill The Devil as the inimitable Chuck Billy joins cohort Skolnick in a decidedly Testament-y song that has Portnoy rocking those blast beats. Scars starts out like a straight-forward thrash tune with Mark Osegueda (Death Angel) growling away in fine fashion until the chorus takes a turn as Cristina Scabbia's (Lacuna Coil) harmonized voice takes it to the next level. Wait Until Tomorrow is largely sustained by the always enjoyable sound of one of metal's most soulful voices, Dug Pinnick (King's X), reminding me how much I want a new King's X album. Triangulum is the closest I've heard Mike Portnoy getting back to the rhythymic gymnastics of his glory days in Dream Theater and as George Costanza once put it, "it moved...". Seriously, check out that instrumental if you get the chance. Killer stuff. The deluxe edition will get a bonus track, a cover of Ronnie James Dio's We Rock which sounds great. Skolnick's playing is satisfyingly aggressive, and guest singers like Tim "Ripper" Owens and Alissa White-Gluz give the song a nice edge with a nice solo section. The maestro would be proud.

The Bottom Line: Hearing different artists get together to jam is always entertaining for the novelty of it. In practice the formula unfortunately has had mixed results. The basic "house" band of Skolnick, Portnoy and Ellefson is as solid as they come, but the actual songs (save for a couple) don't really stand out on their own above anything else the individual artists have done in their respective day gigs. That said, I would really like to see this become a recurring project with a rotating roster going forward if only for the occasional gems that would no doubt come from such collaborations.

- Genghis wanted this to be a truly amazing album...

A Sound Of Thunder - Tales From The Deadside

A Sound Of Thunder's latest epic album is out and even the cover looks fucking great.Holy shit, there's a new album out from DC-area A Sound Of Thunder and I couldn't be more excited. You may recall my review of their fantastic fourth album, A Lesser Key Of Solomon, and how lead singer Nina Osegueda sings the shit out of some great American heavy metal. Well, Oz and company are back to kick your ass with a new concept album based on popular Valiant comic book superhero Shadowman, Tales From The Deadside. Fuck yes!

From the killer opening track Children of the Dark, it seems to me that if you aren't already a fan of Nina's singing you soon will be. Like everything about this band, this is classic heavy metal all the way: big metaphysical themes, meaty, overdriven riffs, powerful, emotional vocals. ASOT goes for broke from the get go and I fucking love it. There's a narrative link between each track to lay out the story, making it a bit hard to listen to a given track on its own, but this may likely be the intent of the band to make a cohesive story-driven record, like a 10-issue limited comic series. Huge props to everyone on this disc, from Nina to co-founders Josh Schwartz (guitar) and Chris Haren (drums), to Jesse Keen (bass), 'cause each of them performs their asses off.

What amazes me most is that this is a simple four piece band with no great diversity of instrumentation - save for bassist Jesse who sometimes mans the keyboards - yet they have this arena-level sound (kudos to Kevin '131' Gutierrez on producing chores, by the way) that makes you imagine at least a half dozen people onstage to produce a sound this big - and some of these tracks are anthemic as hell. Man, their live shows must have a phenomenal vibe, especially if they do this album in its entirety. Miss Osegueda alone should have young women across the country contemplating a career in heavy metal.

The Bottom Line: At the risk of hyperbole, I think this band kicks serious ass in terms of classic American heavy metal and if there's any justice these guys should one day be counted among the greats of the genre. Classic metalheads GO GET THIS ALBUM. 'Nuff said!

- Genghis is crossing his fingers and toes that this band tours through Houston *soon*...