That time Genghis said...
Album of the Month - November
  • For the Journey
    For the Journey
    Nuclear Blast
Video of the Month - November
  • Scott Ian: Swearing Words in Glasgow
    Scott Ian: Swearing Words in Glasgow
    starring Scott Ian
Good Reading
  • Bringing Metal to the Children: The Complete Berzerker's Guide to World Tour Domination
    Bringing Metal to the Children: The Complete Berzerker's Guide to World Tour Domination
    by Zakk Wylde, Eric Hendrikx


CD of the Month
  • Mudvayne
    by Mudvayne
  • Lords of Chaos: The Bloody Rise of the Satanic Metal Underground New Edition
    Lords of Chaos: The Bloody Rise of the Satanic Metal Underground New Edition
    by Michael Moynihan, Didrik Soderlind
  • Retribution
    by Shadows Fall
  • Brutal Legend
    Brutal Legend
    Electronic Arts

Hell In The Club - Devil On My Shoulder

If your Tardis is in the shop and you're itching to check out some late 80s party metal, Hell In The Club is the ticket.It's not often that I read a band's description that says "they mix classic hard rock and modern sounds, heavy metal and party songs, fifties rock n’ roll and anything in between", so I was justifiably intrigued to hear about Italy's Hell In The Club.

And that's not even all that makes this album/band different, being composed entirely of members of other bands (Death SS, Elvenking & Secret Sphere) decidedly not in Hell In The Club's genre of classic hard rock/pop metal of the 80s and 90s like Guns N' Roses, Poison, et al. And I'm happy to say that the result is more than just a gimmick. These cats actually do the concept justice, sounding like a band you'd hear on stage at the Whiskey some weekend circa 1989.

Fans of the aforementioned era should be grooving at the raspy crooning of Davide "Dave" Moras and the crunchy rhythyms of Andrea "Picco" Piccardi's axe on such bar-worthy tunes as Bare Hands, Beware of the Candyman and Save Me. But it wouldn't be the whole package without the anthemic We Are The Ones for sweaty, fist-pumping moments and the obligatory ballad, Muse. This is a great representation of a certain sound fondly remembered by many an elder rocker.

The Bottom Line: If you miss the yesterdays of weekend partying that included a stop at your favorite local, smoke-filled, live music bar for some late night rocking, Hell In The Club's sophomore release Devil On My Shoulder will scratch that itch, guaranteed.

- Genghis does in fact miss those days...


Circuitry (Self-Titled)

Like extreme metal, but want it to be more...listenable? Check these dudes out STAT!Fans of the site know that I'm a sucker for the intricate machinations of extreme or tech metal even though, like a rich dessert, I may feel like I've had more than enough after only a slight indulgence. But what makes the music of New Jersey trio Circuitry different on their self-titled debut is their judicious use of melodic hooks to take the edge off the razor-sharp technical prowess they clearly possess.

From the get go, tracks like Safe Words kick off with all of the sound and fury of your typical extreme metal band, replete with shifting time signatures, but tracks like Horizon have such a strong melodic hook, they bring to mind the easy fretboard gymnastics of Freak Kitchen or other such bands with musicians that have mastered - and transcended - technique and now make the music they want to make - even if it sounds like it's from Mars to us mortals.

The Bottom Line: Most extreme metal acts are so focused on raw technicality that they lose a sense of melody (or even just listenability, for that matter), but Circuitry maintains that love of the hook enough to make their output more than just "music for robots to mosh to".

- Genghis would like to see a music video with robots moshing to Circuitry...


Stryper - Live at the Whiskey

Hot off the heels of their last album, No More Hell to Pay, Stryper are back, with a smokin new live DVD and CD, called Live at the Whiskey.  Stryper have really had a renaissance, since the re-union in 1999.  They have been touring steadily and have been releasing material every couple of years.  Live at the Whiskey was an intimate performance, that the band recorded back in November of last year, at the Whiskey a Go Go, in Hollywood.  The set list was comprised of tracks from their 30+ year career.

Live at the Whiskey shows how awesome this band is, and showcases how well they play.  The band have not aged at all, and their music has stood the test of time.  Songs like Free and More than a Man stand up well against the band's more current material, like No More Hell to PayMichael Sweet has lost nothing as a vocalist and sounds great on this release.  This is a fun, live record, that you can get into, even when you don't have the visual.  I found myself on more than one occasion, singing along with the audience, when prompted by Sweet.  Pretty cool.

Bottom Line: Stryper showing that they still got the goods live.  They band are playing better than ever, and it shows on this release.

Standout Tracks: More Than a Man, Free, To Hell With the Devil and No More Hell to Pay.

-Ragman is thinking of wearing his soldiers under command costume out for Halloween.


Lillian Axe - One Night in the Temple

Lillian Axe is one of those bands that leaves you scratching your head wondering, why weren't they bigger.  Unfortunately, the band got pigeon held as a hair band, but if people would stop and listen a little closer, they would realize that they are much more than that.  That being said, the band has recently just released an amazing CD/DVD package (One Night in the Temple), of an acoustic show, that they did back July of 2013. 

The band decided to do something special for their friends and family, as well as a few lucky fans to commemorate their 30+ year career.  They decided to do an acoustic show and film it for a live CD/DVD package.  Once a little more thought was put into it, they also decided to add a storytellers element to the live show, which makes this package essential, for any Lillian Axe fan.  The band sound amazing and do a nice job of converting some of their heavy rockers acoustically. 

The highlights of this package, are the backstage and more initmate moments, with the band.  You get to see parts of the sound check as well as a Q & A with the audience.  Again, the band sound great and I love how they breath new life into some older cuts, but its newer songs like Death Comes Tomorrow and Until the End of the World that really shine.  This is a great package and should not be passed by.

Bottom Line: A great storytellers type performance, by the great Lillian Axe.  A Best of, done acoustically.

Standout Tracks: Nobody Knows, Death Comes Tomorrow, Until the End of the World and Crucified.

-Ragman still can't believe this band isn't bigger.


Podcast #179: Axe

Look, bottom line: Steve Blaze is one of the coolest guys in metal. He's the fucking man. 'Nuff said.It doesn't get much better than meeting one of your metal heroes. Yeah, we listen to these guys, but when we get to meet them it's can really be an honor - especially if they're cool as shit! Join Genghis & Ragman as they talk about the great Lillian Axe. Why haven't they made it bigger? Tune it to hear the lads' thoughts. Next, Ragman grabbed the Metal Munchkin and headed over to a local rock club to meet with Lillian Axe main man Steve Blaze for another installment of An Evening With... where Steve and the band rolled out the welcome mat backstage to discuss the band's latest release, One Night In The Temple.

Featured Tracks: Lillian Axe - Show a Little Love, Dream of Lifetime, Until the End of the World, Nobody Knows and Death Comes Tomorrow

- Ragman was honored to chat with Mr. Blaze, once again...

Podcast #179: Axe