9006 problems

Sorry for the errors downloading the podcast these days. I get it too when I try to download from iTunes. I get the infamous error = 9006, and Apple is of very little help on this issue. In the meantime, you can of course direct download it, stream it from the site, or we are considering alternative locations as well, like SoundCloud.

If you guys have any idea what to do about this, I'd love to hear it. Hope this is helpful.

HORNS UP!

- Genghis' horns droop a little every time that error comes up...

Podcast #186: Awake

Long before Meghan Trainor came along, Bjorn Englen was ALL about that bass. Yes, I went there.The lads are back in the thick of a new year with a little new music from Tracy G and new announcer, Joey Clams. Join Genghis & Ragman as they shoot the shit with each other after their brief Winter hiatus with talk of all things metal. Lookin' like 2015 could be a good year around the studio.

Then join in on a one on one with Bjorn Englen of Soul Sign for a chat about his love for the bass and the band's plans for 2015.

Video Of The Show: Shinedown – Live In The Stratosphere

Beer of the Show: Kasteel Winter (Brouwerij Van Honsebrouck N.V.)
	Appearance: 3.5 Aroma: 4.0 Palate: 4.0 Taste: 4.0 Overall: 4.0	"You’ll be plenty warmed up with this damn fine winter ale’s 11% abv and super roasty aroma."

Featured Tracks: Job For A Cowboy - Sun Of Nihility; Extreme - Decadence Dance; King's X - Black Flag; Enuff Z'Nuff - A New Thing; Shinedown - Devour; Jorn Lande - River of Tears; Harmony - Hands of Time; Strange Fruit - All Over The World Tonight; All That Remains - What If I Was Nothing; Rated X - Fire and Ice; Soul Sign - Life, Between the Lines, Out of Obsession, You (Control), Human Evil and In Pain

Ragman's Classic Of The Show: Jam Pain Society - Wasted

Genghis' Classic Of The Show: Whitesnake - Cryin' In The Rain

Ragman's Pick Of The Show: IQ - The Road of Bones

Genghis' Pick Of The Show: Bailey - In The Name of the King

- Genghis is really digging our new sound…

Podcast #186: Awake

Emigrate - Silent So Long

When Richard Kruspe tells you he's gonna rock, all you can say is "Alles klar, Herr Kommisar".It's kind of cool how Rammstein is so beloved by hard rock and metal bands. And even cooler that founding guitarist Richard Kruspe's alternative metal band Emigrate, having released its debut album back in 2007, continues to provide an outlet for his creative energies.

And it's a tribute to the fabled German work ethic that Kruspe doesn't choose to sit around on his main band's laurels. He recorded in his own Berlin studio and played host to a nice assortment of guest vocalists such as Lemmy from Motörhead, Korn’s Jonathan Davis, Canadian born Berlin-dweller, Peaches, and Frank Dellé from chart-topping German collective Seeed.

There's a nice mix of sounds on this album, ranging from the familiar industrial metal sound of Rammstein on tracks like Hypothetical and Get Down, to more punkish rocking (Rock City), to more traditional metal sounds (My Pleasure). There's a great energy evident here, as if Kruspe is enjoying every minute of doing this, and it translates to the overall vibe. Aushezeichnet.

The Bottom Line: Herr Kruspe continues to pour his songwriting energies into projects that benefit from him having so many fans in the business. The guest vocals and collaborations in Emigrate are thoughtfully decided, and it shows. Nice work.

- Genghis doesn't pull off that eyeliner thing so well...

Crazy Lixx (self-titled)

You'd be hard pressed to find a more authentic sounding 80s hair metal band than these Swedes. Yup.For all of the subgenres of heavy metal you have certain eras of sound that are unmistakeable, able to transport you instantly to that time in your past when you first heard those familiar rhythyms. And I reckon you can almost smell the fog machine kicking in, accompanying a small adrenaline surge as you hit play with Crazy Lixx queued up on your music player of choice. This is late 80s hair metal, as if the spelling of their name wasn't obvious enough. And it's quite good.

If you didn't know better, you'd probably swear this band came straight off the Sunset Strip, but this Swedish hard rocking outfit has only been around since 2002. Their self-titled fourth album has everything you'd expect from the era - hell, I wouldn't be shocked to see their name in the credits for that legendary doc The Decline Of Western Civilization Part II - The Metal Years. As such, there's not much to speak of here except to say that all of the great, flashy guitarwork, big harmonized choruses and drunken swagger of that time in music is present and accounted for on every track. This is some damn good genre tunes.

The Bottom Line: The next best thing to a highly modified DeLorean with the controls set for 1986, Swedish rockers Crazy Lixx bring you all of the authentic sound of that era. So, tie those scarves around the leg of your faded and tattered skinny jeans, and put on your pirate shirt, cuz it's motherfucking party time.

Tracks To Crank While You Shake Up That AquaNet: Outlaw, Ain't No Rest In Rock And Roll, and Heroes Are Forever

- Genghis wouldn't mind taking a ride in that Delorean now that you mention it...

My Brother The Wind - Once There Was A Time When Time And Space Were One

Sweden’s instrumental cosmic rock quartet, My Brother The Wind, knows how to groove old school, and that's a fact. Okay, I'm just going to come right out at the beginning of this review and say that I'm a sucker for what bands like Sweden's My Brother The Wind (MBTW) do on their latest LP Once There Was A Time When Time And Space Were One. These guys make the kind of classic instrumental cosmic rock (I've always called it space rock, but whatever) that Pink Floyd made famous in their more contemplative, if self-indulgent, moments for generation of stoned teenagers where the sense of time goes by the wayside. And I couldn't be more into it. Dat title though.

Recorded live, and completely improvised, with no overdubs during one January day in Åmål, Sweden, the thoroughly analog feel of the album came from using vintage flangers, plate reverbs and tape echoes recorded to 2" tape on a 44-year-old 16-track Ampex. How's that grab you for authenticity? But it's all for naught if the tunes don't work, right? Luckily MBTW has the goods, indulging in songs that sometimes break the 12 minute mark without sounding like the needle's stuck on the record. And it's that kind of solid grooving that makes or breaks this genre; chill and groove out, but don't be boring, man. Nice work, lads.

The Bottom Line: Sweden's reputation for musical innovation and revival continues to grow to the delight of eager listeners with bands like My Brother The Wind. This is classic head-tripping stuff, and the fact that it's all performed without a net makes it all the more amazing. Now if you'll excuse me, I gotta get my vape on.

Tracks To Enjoy While Lying On Your Bokhara Rug With Your Headphones On: Songs Of Innocence Part 1, Misty Mountainside, and Garden Of Delights

- Genghis is feeling toasted, nicely toasted...