Trioscapes - Digital Dream Sequence

It's just a crying shame that bands like Trioscapes isn't all over the damn place - especially playing sweet clubs in my hometown...When jazz metal neo-fusion group Trioscapes put out their debut album Separate Realities two years ago, I was instantly hooked. I've always been a fan of the incredible showmanship that master jazz musicians display onstage together, always challenging each other without it ever seeming to be a pissing contest. It's synergy of the best kind.

And luckily, they've decided to make another album of hardcore jazz beauty.  Case in point, the 3:55 mark of the title track is where some of the best jamming comes into play, carrying the player on a sonic flying carpet through a world of ethereal freeform grooviness I can't even (adequately) describe; you're just either into it or you're not, that's all I can tell you. Don't worry, it's not all breakneck riffs and runs. Tracks like From The Earth To The Moon has a sweet Chick Corea thing going on that breaks into a fuzzy bass stomp then into a haunting flute melody. There's some truly impressive dynamics going on with these cats, and I just can't get enough of it, and fans of old school fusion's audaciousness and musical innovation will surely pick up on this as the new generation of that great form.

The Bottom Line: More jazz than metal, Trioscapes is a power trio of the highest musical order. This is some of the best neo-fusion available today, period.

- Genghis so wishes he could play in a band like this...

Death Penalty - Sign Of Times (EP)

I'm diggin' this female-fronted doom metal band from the UK. Keep an ear open for the full length later this year.What happens when British doom metal legends Cathedral finally call it quits? Well, if you're riffmaster Garry "Gaz" Jennings, you hook up with a Belgian singer like Michelle Nocon and start working on a new album stat. And while it's too soon for that album to be out just yet, the band Death Penalty has shrewdly released a 7" with their forthcoming first single "Sign Of The Times".

Now, so far, Michelle isn't necessarily belting it out Ann Wilson style right from the get-go. But there's clearly some talent there, and her smooth vocals layer over Gaz' fantastically epic grooves in a very appealing mix of old school metal without sounding like just another retread. In a world where retro is the norm, this is some truly great sounding music on its own. And I mean that; there's some really sweet guitar playing in these two tracks that could easily stand up to anything out there today. Not too shabby, Gaz.

The Bottom Line: If Sign Of Times is any indication, when Death Penalty releases their debut full length album later this year, you're gonna hear some serious shit. And you can take that to the bank. The money bank.

- Genghis is intrigued by Michelle's Belgian (read: beer, I want beer) heritage...

Corrosion Of Conformity - IX

If you're a Pepper fan, he's not back yet, but this album rocks all the same. So calm yourself!Fans of Corrosion of Conformity (CoC) surely know that the band has been rocking for over 30 years now. And while their heyday was 20 years ago, those Carolina boys still know how to make some bitchin’ rock music. After a second hiatus in 2006 that led to a return in 2010 (sans Pepper Keenan) and 2012’s self-titled album, the original lineup of Reed Mullin (drums), Woody Weatherman (guitar) and Mike Dean (bass, vocals) have just released their ninth studio album, IX.

What I like about CoC is that their music comes with an authenticity that’s hard for new bands to match. But the real problem a lot of people have involves Pepper Keenan, who left in 2006 to play and tour with Down but isn't "officially" out of the band (yes, there's hope for you Pepperheads). Many consider him to be essential to the Southern-fried sound (Keenan being from Louisiana) of the band, having been the vocalist for their most successful album, Deliverance. And while Mike Dean, the band's original vocalist, is no Pepper, his vocals fit the music on this album just fine. The success of this latest LP will have to depend on its merits and not Pepper-era fans. And I think it should succeed, as this is some of the best doom metal tuneage I've heard in a while. The riffs are bigger than a wall of Marshall stacks and the groove is slicker than the bottom of your plate after a mess o' Carolina barbecue. So check it out.

The Bottom Line: Fans of the original, pre-Pepper incarnation of CoC will likely appreciate the return of their sound to its punky, groovy roots. But new fans, unburdened by the weight of a band's glory days, should find a lot to like here too with music that's thoroughly rocking irrespective of its context. So smoke 'em if you got 'em, and enjoy.

- Genghis admits he wouldn't recognize Albatross if he heard it...

Allegaeon - Elements Of The Infinite

Them Colorado boys not only know how to make some killer tech melodeath, but they make some of the most impressive album covers in the biz.As one of the better technical melodic death metal bands out there, Allegaeon is all about intensity - though not at the expense of melody. And thanks to recent changes in the band, Brandon Park (drums) and Michael Stancel (guitars) have helped breathe some life into the creative process, making the band's latest album Elements of the Infinite one of their finest efforts yet.

One of the things that draws me into their art is the balance they bring to the form. While they are quite adept at high-falutin' concepts like the Golden Ratio (1.618), Dyson Spheres, and Gravimetric Time Dilation, they don't take themselves so seriously they can't have fun. For proof of the latter, check out their tongue-in-cheek video for 1.618 which features the band trying to decide in what style the video should be made, resorting to spinning a wheel of various subgenres with hilarious results (with thrash hitting quite close to home).

The Bottom Line: Technical melodic death metal can easily get way in over its head, but Allegaeon have always managed to keep a tight reign on their music, making the experience not only enlightening but damn fun to thrash to.

- Genghis thought the glam metal vision needed more hot chicks...

The Relapse Symphony - Shadows

Don't cry, hon. With a lick o' paint and some plants, this place'll look cozy for sure.Perhaps the most interesting thing about The Relapse Symphony is that they not only resist easy categorization, but actually think of themselves as constantly evolving, exhibiting no fear of venturing outside of their comfort zone if it means making better music. And it's that sort of pioneering attitude from which legends are born.

So, are The Relapse Symphony legends in the making? Maybe not. But their new album Shadows is definitely worth a listen to anyone who wants to know what's next in metal. The lines between genres are blurring more and more with each passing generation, and bands like The Relapse Symphony are at the forefront of a sound that hearkens back to pop/glam metal, where much more emphasis is put on melody and harmony than crunch and boom. What I find most interesting is the idea that it's metal reaching across to the pop world instead of the other way around. Could you imagine a pop star like Kelly Clarkson doing even one song on one album with, say, Scar Symmetry backing her (in my head, it sounds fucking awesome, come to think of it)?

In any case, I like that not only are there bands like The Relapse Symphone around to prove metal the relevant and innovative music genre that fans already know it is, but they don't play it like a gimmick. I honestly get a similar feeling to what people must have thought when Queen came on the scene with their operatic bombast, straining what people thought rock music was supposed to be. I can't say whether The Relapse Symphony will reach that level of musical reverence, but it's this kind of ballsy experimentation that keeps metal moving forward. 

The Bottom Line: The Relapse Symphony is a band for 21st century; a group that not only acknowledges everything that's come before it, but proudly mixes those influences together into whatever shape feels right at the moment - as long as it rocks. I'll be watching to see where their imaginations take them next.

- Genghis would probably feel more than a little out of place at one of this band's shows...