Podcast Interview: Harry Hess

Ragman chats with Harry Hess of Harem Scarem and First Signal for the four-peat!!Ragman welcomes back the one and only Harry Hess (Harem Scarem, First Signal) for a little one on one with his fourth chat with The Right To Rock. Will he get a prize? Maybe a beavertail? How about a beavertail?

In any case, be sure to check out First Signal's latest album, One Step Over The Line, available now in all the usual places. HORNS UP!

Featured Tracks: Harem Scarem - Karma Cleansing; First Signal - Broken, One Step Over the Line, and Love Run Free; Harem Scarem - Voice of Reason

Harry Hess Interview

Imminent Sonic Destruction - Triumphia

On the plus side, I hear this album cover is getting accolades. Sweet.I stand by my statements regarding Imminent Sonic Destruction's debut album, Recurring Themes, a few years ago. That said, Tony and company seemed to have doubled down on the prospect of writing epic progmetal with touches of death and doom in spite of some overly ambitious decisions in the vocals/guitar department. And boy am I glad for that because, while still not quite up to the heights I'm still convinced they're capable of, they've honed their skills yet keener and resulting in Triumphia, their sophomore offering.

Tracks like The Fog and its gothic-tinged opening exemplify the raw power metal bedrock upon which the more progressive, deathy ornamentations are built. Lead singer/guitarist Tony Piccoli is toned down (vocally) on this album while the arrangements have become more impressive, so that's great to hear. But while the solo work seems a bit improved, I'm still longing to hear some great legato phrasing à la Simone Mularoni. That said, there are still some great songs on this album as with its predecessor. The grungy, low-end riffing of The Knife is a great tune that adds a doom-style edge to counter the proggy structures of other parts of the album like Something In The Way's midsection.

The Bottom Line: Imminent Sonic Destruction is making strides towards being a really good progmetal band with interesting elements of other genres thrown in for a different take on the aging genre. With a powerful vocalist and a melodic shredder, I really think this band could take off. In the meantime, it's interesting to watch the evolution.

- Genghis is looking around for Mularoni's phone number...

Steve 'N' Seagulls - Brothers In Farms

Their sense of humor is a big part of Steve 'N' Seagulls' appeal.Jumpin' Jehoshaphat, them country boys from Finland, Steve 'N' Seagulls, are at it again with their eagerly awaited follow-up to last year's Farm Machine - which I personally enjoyed mightily. Their sophomore entry into the small subgenre of bluegrass metal, Brothers In Farms, picks up where the last one left off and takes it all to whole 'nother level. This stuff is solid gold, people.

In a land famous for its metal fervor, it's gratifying (and perhaps most appropriate) to see a few farmboys offer their take on some of the most memorable metal tunes of the last 20 years. Running the gamut from Nirvana to Nightwish to Megadeth - to Deep Purple, The Seagulls know their way around a metal tune and handle solos and progessive-tinged interludes with tongue planted firmly in cheek. When it all comes together it can be practically sublime, as the band's unique perspective gives Nirvana's In Bloom a major key upgrade and peppy beat that may fit the tune's lyrical wryness even better than the original. Similar results apply to the lads' rendition of Foo Fighters' The Pretender - though I still prefer the more metal songs as potent examples of how classic heavy songs are cross-genre goldmines in the hands of talented performers. While each musician is proficient in their instrument(s) of choice, the whole is indeed greater than the sum of its parts largely due to the obvious enthusiasm the lads have for the source material and their own reimaginings of it.

The Bottom Line: The real bottom line is that heavy metal works in pretty much any genre, but Steve 'N' Seagulls are worthy pioneers of this particular (and hopefully growing) sub-genre of bluegrass-y jamming. Sallllllute!

- Genghis looks forward to seeing these cats' outstanding live show again...

Evergrey - The Storm Within

Evergrey's back for the attack - and kicking ass as always with their latest effort.As satisfying as 2014's Hymns For The Broken was, Evergrey (having undergone a sizeable lineup change) has returned with an impressive followup, The Storm Within, for a greedy fanbase. I'm happy to say that Tom Englund and company - including the returning Henrik Danhage (guitar) and Jonas Ekdahl (drums) - have turned out another great album. This time, it's a concept album based on the classic problem of grieving over lost love and the process of trying to move on. Wonder where that comes from?

Where some may level a complaint that this album sounds like a rehash of their previous release, I counter that with what I think is simply a consistent flow a great songwriting; saying "this is more of the same" about Evergrey's brand of metal is akin to saying that about your meal at Sukiyabashi Jiro.

Sure, there are some parallels in the sound, but like a really good steak pretty much always tastes like a really good steak from place to place, Englund and company manage to craft metal songs with heart that also rock as hard as any band out there. Englund's voice is the heart of the melodies, at once powerful and soulful, and the rhythym section is freakin' bedrock. Bonus: there's an interesting bit of keyboard background patches that add a little old-school dimension without sounding cheesy.

The Bottom Line: More great metal from Tom Englund's Evergrey is always a good thing. If you're on the mood for something new and groundbreaking, skip this album. But if you just want to rock even more after hearing Hymns For The Broken, well you're in luck my friend...

- Genghis dreams of eating at Sukiyabashi Jiro some day...

Noise Pollution - Unreal

Nothing like finding new music to break you out of your mold. I have a hard time classifying modern heavy metal. I mean, with so many subgenres of metal out there, what makes any one band a certain one when it has elements of several genres? A lot of people would say "what does it matter?", but you have to understand that when put in the position of describing a product to others (especially in the context of recommending it), as I am in this review, it's kind of essential to the whole deal.

There's a lot of low end aggressiveness on Noise Pollution's sophomore album, Unreal, which follows a successful self-published debut and tons of live shows with the likes of Black Label Society, Airbourne, Skid Row and Black Stone Cherry. And from the sound of it, they earned the right to share the stage with such hard rocking luminaries, cuz this is some decent heavy jamming. That said, I can't claim that this Italian quintet is breaking any new ground musically speaking, but they do have some catchy rhythms and a satisfying crunch even if they lyrics are a bit cliched sounding. May I can put it this way: there are endless direct to video rip-offs of popular movies - like, say, The Fast And The Furious - and they need soundtracks too...

The Bottom Line: Fans of post hardcore (circa late 90s) will probably enjoy putting this album on their party rotation. You could do a lot worse.

- Genghis is itching for some live music...