CD of the Month
  • Mudvayne
    Mudvayne
    by Mudvayne
Inspiration
  • Lords of Chaos: The Bloody Rise of the Satanic Metal Underground New Edition
    Lords of Chaos: The Bloody Rise of the Satanic Metal Underground New Edition
    by Michael Moynihan, Didrik Soderlind
  • Retribution
    Retribution
    by Shadows Fall
  • Brutal Legend
    Brutal Legend
    Electronic Arts

Entries by Genghis (420)

Thursday
May252017

Oni - Ironshore

When you go to fam's house and he's all like "Check out my water feature, bro!"Looks like Ontario is coming up in the metal world. Metal bad-asses Oni are poised to take shit by storm with the release of their full-length debut Ironshore. Rooted in modern progressive metal à la Between The Buried And Me or Protest The Hero, Jake Oni (vocals) and company strive to rise above the genre conventions by making each song individual and meaningful apart from the others, and this is one impressive debut, let me tell you.

The first single off the album, Eternal Recurrence, provides a handy snapshot of the band's skill set. Thrilling unison runs, a thunderous backbeat (courtesy of Oni's bassist, Chase Bryant, and drummer, Joe Greulich), and even the addition of a Xylo-synth player in Johnny D - something you may have to see to believe. Meanwhile tracks like Spawn And Feed provide a salient example of the band's penchant for mixing sophisticated phrasing with brutal riffs. It's like prog for black metalheads. Thankfully, tracks like The Science give singer Jake Oni the chance showcase his skillz.

Producer Josh Wilbur (Gojira and Lamb Of God) pulls the strings behind the scenes to pull it all together, even bringing Randy Blythe along for some guest vocalizations on The Only Cure. It all comes together in the most satisfying way, marrying progmetal's erudite pyrotechnics with black metal's visceral energy. This is some good shit.

The Bottom Line: Having only been around as a band for about 3 years, Oni is a force to be reckoned with in terms of technique and chunk™, amirite? Get out there and see this band. NOW!

- Genghis is crossing his fingers these cats come rock Houston's collective ass...

Monday
May222017

Ancient Ascendant - Raise The Torch

I must say, I do enjoy some hand-drawn album cover art. Yessir.You don't often think of Britain when you think of black or death metal, but you're in for a pleasant (?) surprise with the lads in Ancient Ascendant, whose third album Raise The Torch is an impressive mix of many different metal styles in a cohesive new hybrid. Blimey.

After a brooding intro (Reawakening), things kick into full gear with Our Way. The gutteral vocalizations of death metal are prominent, but over the 70s style guitar riffs in the chorus it takes on a cool vibe rather than the usual menace that pervades the genre; imagine a Scandanavian Black Sabbath, not bent on scowling through corpse paint, but drinking and smoking weed. It's perhaps a little confusing at first. I mean the album's [John] Baizley-esque cover art and the band's medeval logo say death or doom metal, but then you hear the hand claps in the chorus of Scaling The Gods like it's a lost Monkees tune.

Don't get me wrong; I love it. The future of metal at this point is largely based on new bands and their artful blending of seemingly disparate styles into new and entertaining hybrids - something much easier said than done. But these blokes pull it off quite handily without becoming self-parody. Don't expect the blazing solos of melodeath, but the groove here is genuine and highly enjoyable.

The Bottom Line: Ancient Ascendant may not be a household name, but their music is authentically heavy metal, going back to its British roots, while incorporating the aggression and energy of the Scandanavian innovations of black and death metal. Good stuff that.

- Genghis can dig some groovy tunes, 'specially now that summer's arriving...

Friday
Apr072017

Podcast #217: Green

Only fitting that Paul Mahon of The Answer visit with the lads on a special St. Patty's Day episode, eh?The boys try to make up for a little lost time with a little bit longer episode recorded on St. Patrick's Day replete (yeah, "replete", they went to college) with heavy metal discussion and plenty o' beer. Things get a little spicy when everybody's favorite Mexican leprechaun José McLucky drops by with some food and tales from the road.

Next, the lads get some talk time with Paul Mahon of The Answer who talks about the band's latest album, Solas, and what the lads are planning tour-wise. It's all fun and games until someone spills their beer... HORNS UP!

Video of the show: Testament - Live In London

Beer of the Show: Fascinating Bellman (Deep Ellum Brewing Co.)
 
Appearance: 3.5
Aroma: 4.0
Palate: 3.5
Taste: 4.0
Overall: 3.5
"A very complex American brown ale aged in Jameson barrels is a perfect beer for St. Pat's with a nice kick."
 
2nd Beer of the Show: Sin Mint Temptress (Lakewood Brewing Co.)
 
Appearance: 4.0
Aroma: 4.0
Palate: 4.0
Taste: 4.0
Overall: 4.0
"Lakewood's Temptress series of imperial milk stouts hits it out of the park with this chocolate mint extravaganza."
 

Featured Tracks: Gama Bomb - Drinkers, Inc.; Dokken - Dream Warriors; Operation Mindcrime - Healing My Wounds; Testament - Born In A Rut; Vescera - In The Night; Vanishing Point - Bring On The Rain; S.O.D. - Speak English Or Die; Dreamshade - The World In My Hands; Junius - The Queen's Constellation; The Answer - Pride, Solace, Tunnel, Beautiful World, Battle Cry, Cigarettes, and Regret

- Genghis really enjoyed those two fine beers, make no mistake...

Podcast #217: Green

Thursday
Mar232017

Jinjer - King Of Everything

Ukrainian groove metal quartet Jinjer's name is actually a variation on that "djent" sound.Right off the bat, you'd be tempted to think of Jinjer as a "female-fronted band" - which is true, of course - but, as its members will tell you, that is not what their identity hangs on. This Ukrainian quartet is a groove metal force of nature with influences that surpass the often loosely defined subgenre, ranging from Opeth to Slayer to Cypress Hill. Basically this is a band of talented musicians, with a real love of music in all its forms, that likes to rock the fuck out. And they do that very thing on their third studio album, King Of Everything.

Lead singer Tatiana Shmailyuk, whose non-metal influences show a love for soul, rhythm and blues, funk and jazz, can go from soft serenade to gutteral rumbling on a dime without a hint of gimmickry; this is just straight musicianship, and Tatiana is damn good. Prologue introduces you to her jazzy stylings in fine fashion giving a serpentine energy to the swelling rhythym. And the lads [Roman Ibramkhalilov (guitar), Eugene Kostyuk (bass), and Vladislav Ulasevish (drums)] who lay down said rhythym are no punks - especially when those aforementioned influences contribute to an inspired textural change. Tatiana's favorite tune I Speak Astronomy (dig the killer video when you get he chance) is a great example of how the band weaves different stylistic elements together so seamlessly. Гарна музика!

The Bottom Line: Call them progressive metalcore, R&B Djent, or whatever, but Jinjer has its finger on the pulse of some brutally heavy yet melodic and diverse rhythyms for your thirsty ears. Drink up!

- Genghis laments that he may not get to see this amazing band stateside (but hopes!)...

Tuesday
Mar212017

Without Waves - Lunar

Chi town gives us another great metal band, Without Waves, who know how to craft some tasty licks.Right off the bat let me tell you that Chicago ensemble Without Waves is an impressive outfit. You don't often encounter musicians talented - or bold enough - to fuse elements of jazz fusion, extreme metal, and stoner rock so well and in such a compelling way. As such, you can't really cherry pick from an album like their latest, Lunar (their first on Prosthetic Records), and get a true sense of the breadth of their sound.

Sewing Together The Limbs, the album's opener with a Mastodon-esque groovy chorus, is followed by the Damn The Machine proggy-jazz metal opening of Poetry In Putrid Air that gives way to the trippy, Opeth-y, clean tone groove of Us Against. And it just goes on and on, carrying the listener on the ebb and flow of the band's sonic ocean. It's just damn fine music that offers more than just variations on a core rhytymic style. Granted, that's sort of how your average band works, I know, but the bands that make stylistic diversity their signature sound while still maintaining a strong sense of identity really get my blood pumping.

The Bottom Line: Coming from a famous blues town like Chicago, Without Waves displays some very impressive musical ideas that are both sophisticated and laid back in a way that seems comforting and hugely satisfying. This is clear Spring morning, open the windows, and crack open a nice fruity IPA music for sure.

- Genghis really wants to have one of those mornings right about now...

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