Trioscapes - Separate Realities

Not all jazz metal is good, but Trioscapes is really good jazz metal. Can you dig it? I knew that you could.I can't tell you how good it feels to know that no matter what the musical climate is globally, there are always crazy-talented guys like Dan Briggs (bass), Walter Fancourt (tenor sax/flute), and Matt Lynch (drums) out there who approach their art with fearlessness and - most importantly - a sense of wry self-awareness. Especially when it leads to amazing albums like [their band] Trioscapes' Separate Realities.

Apparently, the lads got together to polish up their rendition of a Mahavishnu Orchestra tune and had so much fun with it, they felt that there was an album's worth of tunes in them that came together quickly later that year; their mutual love of 70s fusion and the psychedelic extended jams that it often entails (the title track is 11 and a half minutes) is apparent to fans of the genre throughout the album's half a dozen tracks. This stuff smokes, man. I just love that there are young musicians out there carrying the torch who were probably in diapers when this kind of music first came out - and they're kicking ass at it.

God bless music.

The Bottom Line: Dan, Walt, and Matt come together to celebrate their mutual admiration for 70s fusion with a healthy dose of modern aggression and self-awareness - to great musical success.

Tracks to Make You Consider Going Vinyl: Blast Off, Separate Realities, Curse of the Ninth, Celestial Terrestrial Commuters

- Genghis loves him some old school jams with modern sensibility...

Mirrormaze - Walkabout

Yes, it's another progmetal band that sounds familiar, but that doesn't mean they don't know how to lay down some good music.Okay, I'm not going to tell you that this progressive metal band, Mirrormaze, has redefined the subgenre with their debut album, Walkabout. Everything you'd expect from this well-established portion of the metal spectrum is here, all the tropes progmetal fans should know and love (shifting time signatures, impressive displays of virtuosity on everyone's instruments, and esoteric lyrics vaguely about the doubts, fears and desires of all humans), and it's totally satisfying.

And therein lies the only criticism. This album suffices. They've managed to cover all of the bases that the proto-progmetallers laid down so well, they perhaps forgot to add their own touch to it. Please, don't get me wrong, this is really good progmetal album; these guys do pretty much everything right, I mean the riffs are heavy, groove really well, everybody rips and shreds in perfect sync. It just sounds like so many other progmetal albums before it.

The Bottom Line: If you're a fan of bands like Fates Warning (Ray Alder guests on Deeper Signs, by the way) and Dream Theater, you'll probably dig this album pretty well - and you should, cuz it rocks. But if you're looking for a band to shake things up the way the aforementioned bands did when they came on the scene, keep looking.

Tracks to Help You Understand My Review: Earn Your Answers, Deeper Signs, Walkabout & Broken Soul

- Genghis hopes it came across that he really liked the album...

Diablo Swing Orchestra - Pandora's Piñata

Okay, so it looks like the album cover was created on the iPad, but it works, just like the unconventional music on this CD.One of the coolest things about metal as a [sub-]genre [of rock and roll] are the myriad sub-genres that continue to come out of it. And now there's one more. Diablo Swing Orchestra is a dizzy mix of swing, tango, metal and jazz that will likely either intrigue or repel based on that description alone.

As crazy as that may sound, these Swedes have managed to put together one of the more interesting eclectic metal bands in recent memory without straying over the line into sheer gimmickry. That is to say, it works. And I would love to see a video for Voodoo Mon Amour with a dance hall of people in leather, spikes, tattoos and poodle skirts alternately jitterbugging and moshing.

DSO's key to success is to not go too heavy with the distorted guitars. It would be easy to take something like Benny Goodman's Gotta Be This or That and just add massively multi-tracked Zakk Wylde-like guitars tuned down a step. But these guys approach their tunes with the crunch as just another part of the instrumentation of a larger group with interesting results; Black Box Messiah sounds like the theme song to some surreal Japanese animated kids' show, while Exit Strategy For A Wrecking Ball is more like Sevendust meets U2 with Tito Puente guesting (dude, I'm telling you), and Mass Rapture is like a merengue by way of Pantera. Amazing.

The Bottom Line: Keep in mind that you don't want to approach this music like traditional metal with a horn section over it. This is basically latin-flavored, big band music with some balls and chunk - and a nice sense of humor to hold it all together. I can only hope to some day see these guys in person. Think of the pit!

Tracks That Make You Wish There Was Such a Thing as Swing Moshing: Voodoo Mon Amour, Kevlar Sweethearts, Exit Strategy For A Wrecking Ball & Mass Rapture

- Genghis is really just amazed at this album...

Astra - The Black Chord

Astra does a fantastic job of delivering that old school, analog, progressive rock. Get your mind right, and reach for those headphones.Progressive music, in general, occupies a funny space in rock and roll. It just seems to mean so many different things to different people. Not that I mind – I mean, I don’t have a stake in it or anything. But, no other genre (or subgenre) seems to get such varied understanding in the minds of the public at large – at least when they think about it at all. It can fall anywhere along the spectrum from the spaced out music of old Yes and Genesis, to the energetic thrill of heavier bands like Rush, all the way to genre heavies, Dream Theater and Symphony X.

Astra’s The Black Chord is somewhere between the beginning and the middle of the spectrum, as indicated by extended jams replete with psychedelic guitar solos and exotic scalar runs like on the title track (2:13). Put another way, if you’re a The Mars Volta fan, but find them "a little too ethnic”, you may want to tune in to these cats from the West coast. Their analog machinations (Mellotron/Moog fans will plotz) blend together beautifully into an old school tapestry of mellow jams that tend to appeal to fans of Pink Floyd-style trips like myself (particulary Barefoot In The Head). Even their look is perfected with appropriately spacey covers and one of the coolest logos in decades.

The Bottom Line: Fans of old school progressive rock, with its Mellotrons and Moog synthesizers, will get enjoyably lost in the space that Astra creates. More than just another stoner metal band, they have an appreciation of 70s era, nascent prog that satisfies such fans nicely.

Tracks to Provide a Soundtrack to your Black Light Posters: The Black Chord, Drift, Barefoot in the Head

- Genghis needs another hit - and some potato chips would be killer...

Jeff Scott Soto - Damage Control

It has been awhile, or so it seems, since Jeff Scott Soto has put out a hard rock record.  Over the past couple of years Jeff has focused on other styles of rock like funk and AOR and put the hard rock thing on the back burner.  Damage Control is a much welcome return to form, for this stellar vocalist, proving once again that he is still one of the best vocalists out there today.

Damage Control is all about great song writing and delivery.  For this CD Jeff has hired some excellent musicians to assist him in making his strongest record in years.  The vocals soar and the guitar solos kill.  The CD starts off in fine form with the hard rocking track Give a Little More, which sets the tone for the whole record.  It is a mid-tempo hard rocker full of crunchy guitars and melody.  This CD has a nice mix of hard rock and AOR.  I tend to dig the harder numbers, like the title track and After World, but the AOR tracks like Die a Little and How to Love Again fit nicely within the varied mix of the album.  A nice variety on this one, which will keep you captivated from start to finish.  A must for any JSS fans, or for any fan of melodic hard rock, for that matter.  Go get this one.

Bottom Line:  Jeff rocking harder than he has in awhile.  A solid platter of melodic rock delivered by one of the best voices in rock.  A CD that has a balanced mix of hard rock and AOR.  Soto delivers in a big way, with a great release.

Standout Tracks: Damage Control, Give a Little More, Die a Little and After World.

-Ragman is wondering if the title track is a leftover Talisman song.